Gate: n. 1. an opening for passage
1995
Sepia Ink on 65 Sheets of handmade
Himlayan Paper
144" x 84"
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This work is one of the most successful inks I've ever done. It explores, more closely, the breaking down of the dichotomy between being the viewer and the thing being viewed -- projecting our own meaning onto the form and realizing that we are actually projecting ourselves. The "Gate" is the realization of that projection.

Catalyst: n. 1. an energy that modifies
and especially increases the rate of
another energy without beng consumed in
the process
1995
Sepia Ink on handmade Himalayan Daphne
Paper
48" x 96"
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Inscriptions On Emptiness II
1996
Sepia Ink on handmade Himalayan Daphne
Paper
37" x 48"
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Explores the moment of enlightenment when one experiences the connection. The layered papers play with the Tibetan prayer flags.

The Doors of Perception III
2000
Sepia Ink on Mexican Bark Paper
60" x 84"
Collection of Brown and Forman Corp., Louisville, KY

Empty Icon, Empty Mind
2003
Sepia Ink and Gouache on handmade
Himalayan Paper
60" x 108"
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Based on a temple in Patan, Kathmandu Valley. Explores the idea that when we reach a state of enlightenment, all those things thought sacred or profane, drop away.

Theater of the Absurd
1998
Sepia Ink and Gouache on handmade
Himalayan Daphne Paper
84" x 36"
Collection of Sandra and Kevin Henning

Harbinger
2002
Sepia Ink on handmade Himalayan Daphne
Paper
108" x 72"
Collection of Courtney Hollington, San Diego, CA

Fractured Christ
1991
Sepia Ink on handmade Himalayan Daphne
Paper
72" x 108"
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Commissioned by World Artists for Tibet, for a solo exhibition on Chinese human rights issues, at the Denise Bibro Gallery, NYC in 1991 Year of Tibet.