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  Twenty-One Pages from
The Manual on Dismantling God

Both in process and in viewing them, these pages investigate the possibilities of breaking down that dichotomy between one’s self and other by compelling the viewer to “read” the visual language intuitively. In this manner, the mind moves toward the unfolding present where one’s preconceptions, biases, and general baggage do not cloud the experience.

This project is not about the page specifically, as if they have some sort of literal or mystical meaning. Rather, for me as an artist, this project is about the process of exploring meaning and relationships. The title refers more specifically to the breaking down of the idea of an anthropomorphic God. In retrospect, this “breaking down,” has been a long and subconscious process inspired by a general exploring of ideas and meanings over the years. Philip Sugden
 
     
Philip Sugden, Artist  Ink and gouache on handmade Himalayan Daphne paper
Page One: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan
Daphne paper
16" x 20"
contact the artist for price
Background text is a working formula for the unified field theory.
Philip Sugden, Artist  Ink and gouache on handmade Himalayan Daphne paper
Page Two: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan
Daphne paper
16" x 20"
NFS
The Devinagari Sanskrit text is from the Bhagavad Gita. In the collection of Ludwig Kuttner and Beatrix Ost Collection, New York.
Philip Sugden, Artist  Ink and gouache on handmade Himalayan Daphne paper
Page Three: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan
Daphne paper
16" x 20"
contact the artist
The Aramaic text is from the Gospel of Mark.
Philip Sugden, Artist  Ink and gouache on handmade Himalayan Daphne paper
Page Four: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan
Daphne paper
16" x 20"
contact the artist
The Chinese text is the first chapter from the Tao Te Ching by Lao Tzu.
Philip Sugden, Artist  Ink and gouache on handmade Himalayan Daphne paper
Page Five: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan
Daphne paper
16" x 20"
contact the artist
Background Chinese text is the first chapter from the writings of Chaung Tsu.
Philip Sugden, Artist  Ink and gouache on handmade Himalayan Daphne paper
Page Six: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan
Daphne paper
16" x 20"
contact the artist
The background text is from the Upanishads
Philip Sugden, Artist  Ink and gouache on handmade Himalayan paper
Page Seven: Pages From The Manual On
Dismantling God
2010
Ink and gouache on handmade Himalayan
paper
16" x 20"
contact the artist
The sankrit transliteration text; "Not this, not that, not anything the rational mind can concieve of."
Philip Sugden, Artist  Ink and Gouache on Daphne Paper
Page Eight: Pages from the Manual on
Dismantling God
2010
Ink and Gouache on Daphne Paper
16" x 20"
contact the artist
The text on the page is the linear sequence for "phi," the golden ratio.
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